‘The Fear’s Artist,’ ‘We Won’t Get Old Together’ Win Big at Transilvania Industry Awards
Cristi Iftime’s “The Fear’s Artist” and Marius Olteanu’s “We Won’t Get Old Together” won big at the industry awards ceremony of the Transilvania Intl. Film Festival, with the two Romanian projects from the Works in Progress program being named dual recipients of the inaugural Transilvania HBO Award.
The prize in the amount of €30,000 ($34,400) was handed to the two projects, which were among seven works in progress that screened for a panel of industry professionals this week in Cluj. The decision was made by a jury comprised of Georges Goldenstern, creator of Arte France Cinéma and former executive manager of Cannes’ Cinefondation; Loreta Gandolfi, a senior curator at the Festival Internacional de Cine de Cartagena de Indias in Colombia; and Siarhei Samusevich, a film programmer and critic working in content planning and programming for HBO and HBO Max at Warner Bros. Discovery.
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“We Won’t Get Old Together,” Olteanu’s sophomore feature, is a pandemic-set drama about a man struggling to rebuild his life from the ground up when everything around him comes crashing down. The director’s first feature, “Monsters.,” premiered in the Berlin Film Festival’s Forum strand in 2019, where it won the Tagesspiegel Audience Award.
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“The Fear’s Artist” follows a lonely artist in an unnamed city whose fears regarding the past alienate him from the people and world around him. It marks Iftime’s first feature in nearly a decade, since his debut “Marita” was awarded at Karlovy Vary in 2017.
In the Transilvania Pitch Stop co-production forum, the grand prize, offered by post-production company Chainsaw Europe, went to “Fathers,” directed by Bulgaria’s Martin Iliev and produced by Angel Ivanov (Handplayed). The film follows a young director who’s dealt a life-threatening diagnosis and must face generational trauma when a journey with his father forces them to confront old wounds.
The TPS Development Award offered by post-production house Avanpost went to “Times New Roman,” from Ukrainian director Philip Sotnychenko, which is produced by Valeria Sochyvets (Contemporary Ukrainian Cinema) and Sashko Chubko (Viatel). Sotnychenko’s sophomore feature follows a Ukrainian artist who embarks on a project reenacting political assassinations across Europe, driven by a desire to escape.
The CNC Moldova Award went to “Another Story About My Son,” directed by Adrian Silișteanu of Romania. Produced by Iriana Adnana (Domestic Film) and Maya Vitkova Kosev (Viktoria World Sales and Distribution), it follows a Roma community leader who helps a film crew recreate the ethnic conflict that claimed his son’s life, embarking on a painful journey through grief, memory and acceptance.
The Connecting Cottbus CoCoLab: East-West Award went to Mara Crăcăleanu for the project “Sun Offspring,” directed by Octavian Şaramet. The folk horror film tells the story of two young lovers longing for parenthood who are drawn into a secluded Romanian wellness community anchored in the horrifying belief that you can meet your child before it exists.
Rounding out the Transilvania Pitch Stop prizes, the Luno Award went to “Decebal’s Wedding,” directed by Matei Lucaci-Grünberg and produced by Gabriela Suciu (Atelier de Film). The movie follows a traditional Romanian family’s tech-challenged attempt to attend their son’s New York wedding, which devolves into a hilarious cultural collision with his progressive American in-laws.
In the Drama Room, which looks to nurture original Romanian dramatic series, the best series project award, which includes a development agreement with PRO TV, went to “Stay in School!,” written by Rodica Dominteanu, while a creative residency at Bethlen-Haller Castle was awarded to “The Story of a Lost Boy,” created by Gabriel Corneanu.
In the newly launched Book to Screen program, which brings together authors and filmmakers interested in how contemporary literature can find its way to the screen, a one-year option agreement with PRO TV was awarded to “Greu de pătruns în pădurea de mesteceni,” written by Ruxandra Burcescu, while a Book to Screen Award in the amount of €1,000 ($1,100) went to “Tot ce i-am promis tatălui meu,” written by Ioana Maria Stăncescu.
Finally, two prestigious Alex. Leo Șerban Scholarships were given to Marius Papară, for the project “Ibida,” and Ana-Maria Comănescu, for the project “Paradox.”
The Transilvania Intl. Film Festival runs June 12 – 21.
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Badenoch blasts 'moaning' female Labour MPs over Burnham jobs 'quota'
Kemi Badenoch has told Labour women to earn a job in Andy Burnham's Cabinet instead of demanding they are handed jobs because of their gender.
The Tory leader lashed out today amid reports that female MPs are demanding the de-facto new prime minister introduce a 50:50 gender split 'quota' in his government.
Amid reports that former foreign secretary David Miliband is being lined up to return to the role, possibly with his brother Ed as Chancellor, one female minister also complained that Burnham could not have 'more Milibands than women' in the top posts.
But in a scathing article in the Times today Mrs Badenoch told them to 'stop moaning' and get chosen on merit instead of retreating into 'more of the failed identity politics that is holding back our country'.
'There are many, many reasons why you shouldn't have any Milibands in the cabinet,' she said.
'But complaining that the boys haven't given them the right jobs or that the boys are taking all the jobs, just shows that Labour's women still don't get it.'
The idea of quotas was also attacked by Baroness Jacqui Smith, Labour's Skills Minister.
Asked by Times Radio if Mr Burnham should reserve jobs for women, she said: 'No, I think what Andy Burnham should be doing is building the very best team around him to change this country.'
A letter written by the Women's Parliamentary Labour Party has called on Mr Burnham to ensure a 50:50 split between men and women in government jobs
Amid reports that former foreign secretary David Miliband (above, right, in 2010) is being lined up to return to the role, possibly with his brother Ed as Chancellor, one female minister complained that Burnham could not have 'more Milibands than women' in the top posts
But Mrs Badenoch told them to pipe down and get chosen on merit instead of retreating into 'more of the failed identity politics that is holding back our country'
A letter written by the Women's Parliamentary Labour Party and seen by the BBC has called on Mr Burnham to ensure a 50:50 split between men and women in government jobs after he succeeds Sir Keir Starmer.
'We are asking you to demonstrate this change from day one and address the toxicity and misogyny within our own party and government,' it said.
Labour has never had a female leader, while the Conservatives have had three, and Mrs Badenoch urged the government to follow its meritocratic example.
'If you run a meritocracy, then you do not have to worry about jobs for the boys,' she wrote.
'Every woman who is a Conservative MP, every woman who has ever won the leadership, has had to fight to get where she is.
'By contrast, Labour women are demanding guarantees from Burnham. But the truth is he doesn't have to give any guarantees.
'If none of Labour's women are prepared to get their hands dirty and challenge him for the leadership, their demands are toothless.'
'In fact, it's quite revealing that the women's parliamentary Labour Party has written to Burnham asking him to commit himself to at least 50 per cent female ministers.
'This has nothing to do with meritocracy. It is yet more of the failed identity politics that is holding back our country.'
Venezuela Fury and Noah Price subsidising their life by livestreaming
Venezuela Fury and her husband Noah Price look to be making their own way in the world by raking it in from their lucrative social media accounts.
The influencer daughter of Tyson and Paris Fury, 16, has become an internet sensation after tying the knot with her husband Noah, 19, earlier this year.
Since getting married and moving in together the couple have been earning thousands of pounds a month, livestreaming their life as newlyweds in their static caravan in the East Riding of Yorkshire.
And fans can't get enough of their regular life updates on TikTok and Kick, which have proved to be very profitable for the pair.
They look to be supporting themselves after Noah denied that he was given £5million by Venezuela's family as a wedding gift.
Despite his wife's huge family wealth, an estimated combined £160 million, Noah recently told his Kick followers that he 'pays for everything' for the couple.
Making light of the claims about Venezuela's millionaire financial status, Noah said: 'I actually pay for everything unfortunately. You'd expect the millionaire to pay for it wouldn't you.'
Venezuela Fury and Noah Price are earning thousands livestreaming their caravan life - after her new groom insisted he pays all the bills and denied he had £5m handout from her dad
The influencer daughter of Tyson and Paris Fury , 16, has become an internet sensation after tying the knot with her husband Noah, 19, earlier this year
Venezuela then asked their fans: 'Do you think I am a millionaire?'
Noah joked: 'She isn't a secret millionaire guys', before she broke into song and sang: 'But I live like a millionaire!'
But it seems according to estimated calculations from their social media work, Noah and Venezuela can more than afford to support themselves.
Noah has been livestreaming on platforms such as Kick and TikTok, where viewers can send paid gifts or donations.
He was previously encouraging viewers to send gifts on his honeymoon during livestreams, suggesting this is one revenue stream.
Both Noah and Venezuela have built substantial followings on Instagram and TikTok. They can potentially earn money through sponsored posts, brand collaborations, affiliate links and creator payouts.
Kick allows its creators to take home 95 per cent of the £4.99 subscription cost that fans pay.
Streamers keep 100 per cent of direct tips and donations, minus minor standard payment processing fees.
It is unclear how many subscribers Noah currently has because this information is hidden, but he does have 7,200 followers which is publicly viewable.
An industry insider has suggested Noah is making around £400 per video on TikTok, while Venezuela is likely to make £2,000 due to her following count of 1.3 million.
An industry insider has suggested Noah is making around £400 per video on TikTok, while Venezuela is likely to make £2,000 due to her following count of 1.3 million
In one video on their honeymoon, Noah asked his followers if they'd give them some more gifts now that they were married.
In a TikTok live viewed by 20,000 he said: 'Keep liking our videos people, keep sending gifts.'
After saying thank you to several of his followers he joked they should stick around on the livestream and 'watch Venezuela punch me in the mouth'.
The other half of the honeymooning couple said: 'I am, honestly!'
Noah previously confirmed that the pair don't share their finances after they were asked whether they have a shared bank account.
'She earns her money, I earn mine,' said Noah, as Venezuela joked: 'Yeah, what you gonna do about it.'
Noah went on to debunk the rumour that Tyson gave him £5million when he tied the knot with his daughter as he insisted: 'No Tyson did not give me £5million'.
Meanwhile Venezuela is being eyed up by executives for a fly on the wall TV series.
Noah went on to debunk the rumour that Tyson gave him £5million when he tied the knot with his daughter as he insisted: 'No Tyson did not give me £5million'
Boasting 1.3 million TikTok followers, Venezuela is already entertaining fans with her honest musings and candid moments, from cooking to kitting out her and Noah's static caravan home.
And following the success of the Netflix series At Home With The Furys, it is no wonder bosses are wanting to draw on the Fury popularity.
A TV insider said: 'The couple are not A-list celebrities but everyone has become obsessed with their love story.
'People are genuinely intrigued by them. Whether it’s the fact they have married so young, Venezuela’s famous family or their gypsy lifestyle, they have the ‘X factor'.
'Several TV executives think a proper fly-on-the-wall series following their lives as newlyweds in the gypsy community would be fascinating,' they told The Sun.
It is thought Netflix would be likely to produce the series due to their already established relationship with the Furys.
Venezuela's representatives told The Daily Mail: 'We have many offers on the table regarding Venezuela which we are discussing.'
