Clockenflap’s Justin Sweeting and Woozi Studio’s Mia Min Yen on Asia’s Live Music Boom at Golden Melody Festival: ‘No Longer Is a Fan Just Buying a Ticket, But Investing in a Memory’

Each year, Taiwan’s Golden Melody Festival conferences, which take place before the Golden Melody Awards, bring together local and international music industry experts across a series of keynotes and panels covering topics ranging from the global market and music production to extended economic value and industry trends.
The festival’s first market presentation, titled “The Rise of Asia’s Live Music Economy,” featured Justin Sweeting, co-founder and head of music at Hong Kong’s outdoor music and arts festival Clockenflap, and Mia Min Yen, founder of Woozi Studio, LLC, an agency that bridges the gap between East and West, who shared their perspectives on the evolving landscape of Asia’s live music market.
Related Stories
Alexis Wilkins, Kash Patel's Country-Singer Girlfriend, Gets Booked for Freedom 250 Event in D.C., Rebuts 'Sham Accusations': 'I Was Invited to Sing This Anthem on My Own Accord'
Vanilla Ice's Freedom 250 Concert in D.C. Canceled Due to 'Inclement Weather' That Doesn't Materialize
At the presentation, Sweeting made the structural case for Asia as a key touring destination. Rising costs in Europe and North America are pushing artists and promoters to look eastward, while the region’s geographic proximity and well-connected transportation networks make multi-country routing far more practical than it once was. Collaborative projects like Sunset Rollercoaster’s AAA Tour, he noted, have shown how teams across Asia can pool resources, align on market strategies, and collectively expand what is possible for touring across the region. He also stressed that government support, solid infrastructure, and cultural awareness – knowing when not to schedule, whether around Lunar New Year or Ramadan, and when to lean in during peak festival seasons – are just as critical to long-term success.
Popular on Variety
“The pandemic reset many people’s relationships with live music. I’d argue there’s a depth of appreciation now which was amplified after being taken away for so long,” Sweeting tells Variety.
Sweeting painted a picture of a region whose time has come. “Broadly speaking, Asia is very much a growth story and I’d say this is the result of several factors coming together. On the audience side, the region has a massive, youthful middle class across Southeast Asia, China, South Korea and India with rising disposable income and a genuine hunger for live experiences,” he says.
Yen agrees the ground has shifted. “Fans’ listening habits and ways of discovering music have evolved, driving a dramatic shift in festival curation over the last ten years. Today’s audiences prioritize community, shared identity and experience, over traditional, commercial, or genre-based lineups,” she tells Variety.
That emotional investment has translated into higher spending and higher expectations. “No longer is a fan just buying a ticket, but investing in a memory. From the queue experience to merch offerings, everything needs to be considered and to feel special,” Sweeting adds.
On the question of sustainable growth, Yen is direct. “I think there needs to be room for local promoters to thrive. The live music industry cannot be a monopolistic market. Furthermore, a clearer division of labor is essential, and the role of Asia-focused booking agents/agencies will undoubtedly become more prominent,” she says.
Sweeting is equally candid. “Asia is not homogeneous, and it is its diversity that presents both challenges as well as what makes the region so exciting. Distinct cultures, languages, geopolitical factors, currencies, tax and visa regulations and more, mean that there are complexities throughout,” he says.
Looking five years ahead, Yen says: “The Southeast Asian market is set to bloom, language barriers will continue to diminish, emerging sounds from this region will become increasingly prominent, [and] more Western artists will be drawn towards this market.”
Jump to Comments-
YouTube India Positions Connected TV as New Prime-Time Screen, Unveils Three-Lever Strategy for M&E Partners at APOS
-
‘Hot Ones’ Host Sean Evans on Why ‘YouTube Is Television’ and Whether He’d Host the Oscars
-
Viral ‘Open Door’ YouTube Short to be Adapted Into Feature, Earns Six-Figure Development Deal (EXCLUSIVE)
-
Google Asserts That YouTube’s Terms of Service Allow It to Train AI Models
-
YouTube Creators are Making a Splash This Awards Season. Here’s a Guide to the Platform’s Top Contenders
-
‘Dead Meat’ Horror Awards Set Ticketed Live-Stream Event in Addition to YouTube Broadcast for 2026 Show (EXCLUSIVE)
Badenoch blasts 'moaning' female Labour MPs over Burnham jobs 'quota'

Kemi Badenoch has told Labour women to earn a job in Andy Burnham's Cabinet instead of demanding they are handed jobs because of their gender.
The Tory leader lashed out today amid reports that female MPs are demanding the de-facto new prime minister introduce a 50:50 gender split 'quota' in his government.
Amid reports that former foreign secretary David Miliband is being lined up to return to the role, possibly with his brother Ed as Chancellor, one female minister also complained that Burnham could not have 'more Milibands than women' in the top posts.
But in a scathing article in the Times today Mrs Badenoch told them to 'stop moaning' and get chosen on merit instead of retreating into 'more of the failed identity politics that is holding back our country'.
'There are many, many reasons why you shouldn't have any Milibands in the cabinet,' she said.
'But complaining that the boys haven't given them the right jobs or that the boys are taking all the jobs, just shows that Labour's women still don't get it.'
The idea of quotas was also attacked by Baroness Jacqui Smith, Labour's Skills Minister.
Asked by Times Radio if Mr Burnham should reserve jobs for women, she said: 'No, I think what Andy Burnham should be doing is building the very best team around him to change this country.'
A letter written by the Women's Parliamentary Labour Party has called on Mr Burnham to ensure a 50:50 split between men and women in government jobs
Amid reports that former foreign secretary David Miliband (above, right, in 2010) is being lined up to return to the role, possibly with his brother Ed as Chancellor, one female minister complained that Burnham could not have 'more Milibands than women' in the top posts
But Mrs Badenoch told them to pipe down and get chosen on merit instead of retreating into 'more of the failed identity politics that is holding back our country'
A letter written by the Women's Parliamentary Labour Party and seen by the BBC has called on Mr Burnham to ensure a 50:50 split between men and women in government jobs after he succeeds Sir Keir Starmer.
'We are asking you to demonstrate this change from day one and address the toxicity and misogyny within our own party and government,' it said.
Labour has never had a female leader, while the Conservatives have had three, and Mrs Badenoch urged the government to follow its meritocratic example.
'If you run a meritocracy, then you do not have to worry about jobs for the boys,' she wrote.
'Every woman who is a Conservative MP, every woman who has ever won the leadership, has had to fight to get where she is.
'By contrast, Labour women are demanding guarantees from Burnham. But the truth is he doesn't have to give any guarantees.
'If none of Labour's women are prepared to get their hands dirty and challenge him for the leadership, their demands are toothless.'
'In fact, it's quite revealing that the women's parliamentary Labour Party has written to Burnham asking him to commit himself to at least 50 per cent female ministers.
'This has nothing to do with meritocracy. It is yet more of the failed identity politics that is holding back our country.'
Venezuela Fury and Noah Price subsidising their life by livestreaming

Venezuela Fury and her husband Noah Price look to be making their own way in the world by raking it in from their lucrative social media accounts.
The influencer daughter of Tyson and Paris Fury, 16, has become an internet sensation after tying the knot with her husband Noah, 19, earlier this year.
Since getting married and moving in together the couple have been earning thousands of pounds a month, livestreaming their life as newlyweds in their static caravan in the East Riding of Yorkshire.
And fans can't get enough of their regular life updates on TikTok and Kick, which have proved to be very profitable for the pair.
They look to be supporting themselves after Noah denied that he was given £5million by Venezuela's family as a wedding gift.
Despite his wife's huge family wealth, an estimated combined £160 million, Noah recently told his Kick followers that he 'pays for everything' for the couple.
Making light of the claims about Venezuela's millionaire financial status, Noah said: 'I actually pay for everything unfortunately. You'd expect the millionaire to pay for it wouldn't you.'
Venezuela Fury and Noah Price are earning thousands livestreaming their caravan life - after her new groom insisted he pays all the bills and denied he had £5m handout from her dad
The influencer daughter of Tyson and Paris Fury , 16, has become an internet sensation after tying the knot with her husband Noah, 19, earlier this year
Venezuela then asked their fans: 'Do you think I am a millionaire?'
Noah joked: 'She isn't a secret millionaire guys', before she broke into song and sang: 'But I live like a millionaire!'
But it seems according to estimated calculations from their social media work, Noah and Venezuela can more than afford to support themselves.
Noah has been livestreaming on platforms such as Kick and TikTok, where viewers can send paid gifts or donations.
He was previously encouraging viewers to send gifts on his honeymoon during livestreams, suggesting this is one revenue stream.
Both Noah and Venezuela have built substantial followings on Instagram and TikTok. They can potentially earn money through sponsored posts, brand collaborations, affiliate links and creator payouts.
Kick allows its creators to take home 95 per cent of the £4.99 subscription cost that fans pay.
Streamers keep 100 per cent of direct tips and donations, minus minor standard payment processing fees.
It is unclear how many subscribers Noah currently has because this information is hidden, but he does have 7,200 followers which is publicly viewable.
An industry insider has suggested Noah is making around £400 per video on TikTok, while Venezuela is likely to make £2,000 due to her following count of 1.3 million.
An industry insider has suggested Noah is making around £400 per video on TikTok, while Venezuela is likely to make £2,000 due to her following count of 1.3 million
In one video on their honeymoon, Noah asked his followers if they'd give them some more gifts now that they were married.
In a TikTok live viewed by 20,000 he said: 'Keep liking our videos people, keep sending gifts.'
After saying thank you to several of his followers he joked they should stick around on the livestream and 'watch Venezuela punch me in the mouth'.
The other half of the honeymooning couple said: 'I am, honestly!'
Noah previously confirmed that the pair don't share their finances after they were asked whether they have a shared bank account.
'She earns her money, I earn mine,' said Noah, as Venezuela joked: 'Yeah, what you gonna do about it.'
Noah went on to debunk the rumour that Tyson gave him £5million when he tied the knot with his daughter as he insisted: 'No Tyson did not give me £5million'.
Meanwhile Venezuela is being eyed up by executives for a fly on the wall TV series.
Noah went on to debunk the rumour that Tyson gave him £5million when he tied the knot with his daughter as he insisted: 'No Tyson did not give me £5million'
Boasting 1.3 million TikTok followers, Venezuela is already entertaining fans with her honest musings and candid moments, from cooking to kitting out her and Noah's static caravan home.
And following the success of the Netflix series At Home With The Furys, it is no wonder bosses are wanting to draw on the Fury popularity.
A TV insider said: 'The couple are not A-list celebrities but everyone has become obsessed with their love story.
'People are genuinely intrigued by them. Whether it’s the fact they have married so young, Venezuela’s famous family or their gypsy lifestyle, they have the ‘X factor'.
'Several TV executives think a proper fly-on-the-wall series following their lives as newlyweds in the gypsy community would be fascinating,' they told The Sun.
It is thought Netflix would be likely to produce the series due to their already established relationship with the Furys.
Venezuela's representatives told The Daily Mail: 'We have many offers on the table regarding Venezuela which we are discussing.'